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Ramses 2006, egg tempera on linen
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Vita
- Born in Trostberg in 1937
- 1955-1960 Photography: Landscape and Structure
- 1959 Paris: Decided to paint
- 1960-1966 Studied painting at the Academy of Fine Arts in Munich.
- Master student and diploma with Jean Deyrolle.
- 1962 Southern France: Light Painting
- 1965 Greece: light, form, white
- 1980-1987 Lectureship in interior design, Rosenheim University of Applied Sciences
- 1986 Schwabing Art Prize, Munich
- 1989 Bayerischer Rundfunk Munich:
- 30 minute film by Dr. P. Emmer about Maximilian Seitz
- 1996 Nymphenburg Art Prize, Munich
Interior design and teamwork, excerpt
- 1965 Sisters’ Convent Scheyern, Germany: with Dr. Bossel, W. Vogel and J. Leismüller
- 1970 community center Eching: glass window, sculptural color design, with J. Leismüller
- 1972 Olympic Rider Stadium, Munich-Riem: with G. Fröbel and J. Leismüller, Architectural Office Miller
- 1976 St. Martin School, Munich: room and wall design, with J. Leismüller
- 1978 Modern Theater Munich: Color Space
- 1986 Munich, Baaderstr. 56, Fred Jahn Gallery: Wall object “Preserved Garbage” with St. Wewerka
- 1987 Documenta 8, Kassel: gutter lightning at the St. Wewerka pavilion
- 1987 Tecta company, Lauenförde: color advice and furniture design
- 1987 Tecta company, Lauenförde, Wewerka pavilion: “Exhibition of contemporary art”
- 1987 glass objects, Oberglas Bärnbach, Graz
- 1988 Tecta-Milan company: booth design, objects and furniture
- 1989 Tecta-Paris company, Avenue Raspail: “Form and function”, image and furniture
- 1990 exhibition concept: construction of a Jean Prouvé exhibition (700 square meters), old and new exhibits from the stocks of the company TECTA, Lauenförde, in cooperation with Thimian-einrichtungen GmbH, Munich
- 1991 Munich, Lustspielhaus: 6 large collages integrated in a theatre, with J. A. Mehnert, Munich
- 1993 Wrapped sculptures with Susanne Wiebe, Düsseldorf, silkscreens, body painting, fashion parade
- 1994 Movable colored wooden objects on the catwalk, fashion parade by Susanne Wiebe, Düsseldorf
- 1994 Düsseldorf, Ratingertor 2, gallery Hete Hünermann, assemblages and fashion with Susanne Wiebe
- 1995 Düsseldorf, Ratingertor 2, Gallery Hete Hünermann, assemblages, fashion, videos, photos, screen prints, objects
Performance: food on clothes, cooked by K. Ederer, served by M. Dupuis
champagne object, dress glasses for Moet & Chandon, with Susanne Wiebe - 1995 Munich, Buttermelcherstr. 11, Gallery Dany Keller
clothes, bodies, art. an installation with Susanne Wiebe
Exhibitions, excerpt
- 1962-1964 Munich, Herbstsalon Haus der Kunst / Group 60
- 1965 Bordeaux, German Artists
- 1967 Munich Art Association, Young Artists Munich, Swiss House, painting and sculpture
- 1968 SUB ART, Spatial Aspects in a Subway Station, Munich
- 1969 “Animation”, University of Karlsruhe
- 1981 “Art Cologne”, Galerie Chr. Dürr, Munich
- 1981 “Situation Feb. 1981”, Gallery of Artists, Munich
- 1984 Vienna, Künstlerhaus, contemporary Bavarian art
- 1988 “On display”, Galerie F. Jahn, Munich / Purchase: Staatsgalerie Munich
- 1990 Hans Georg Schulz Gallery, Munich: “8 new pictures”
- 1991 Galerie Art und Ambiente, Munich: “Photography 1956-59 – collage 1961 – painting
- 1993 Inter-Art Gallery, Munich: “Hour of Pan”
- 1995 Nymphenburg Art Exhibition, Erwin von Kreibig Museum, South Castle roundabout, Munich
- 1996 Nymphenburg Art Exhibition, Erwin von Kreibig Museum, South Castle roundabout, Munich
- 1997 Tumulka Gallery, Munich: “Chiemgau Landscapes”
- 1997 Nymphenburg Art Exhibition, Erwin von Kreibig Museum, South Castle roundabout, Munich
- 1998 Freudenhaus Gallery, Munich, “From the Cyclades to Alexandria”
- 1998 Nymphenburg Art Exhibition, Erwin von Kreibig Museum, South Castle roundabout, Munich
- 1999 GALERIE DU GRAY D´ALBION 17 La Croisette, Cannes
- 2000 Nymphenburg art exhibition, Erwin von Kreibig Museum, 5 assemblages, 1 image
- 2011 Transformations, 30 artists design well-known panes, Galerie Kampl, Munich
“Motivation: Natural landscape, designed landscape, natural and designed landscape. The color shock triggers creative curiosity and fascination. The greatest formal and colored intelligence enables large spans and statements – statements of codes lined up one after the other. The route ranges from the earth colors to the light colors in the south. The optical adventure must be endured. It demands a recording of many color impressions, which are then cooked together, partly analytically, partly emotionally. This color-forming process resembles the course of the ebb and flow. The color and form experiences enable images. Images are implemented experiences from nature as well as experiences of already designed color forms. Images arise from the sensations made. Sensations are collected concentrated color motifs. Images allow freedoms – freedoms at the respective level of philosophical and human maturity of the artist. The picture resolves itself; with its independence it is released back into insecurity.”
Max Seitz, 1937*- 2021†
Max Seitz was our friend and artist of the gallery in recent years.
His works will live on. His personality will not be forgotten.
Paul A. Müller and family
pam-art gallery
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