MG_6601-830x540
Crucifixion, oil on canvas, 170 cm x 250 cm
Michael Goller developed a gestural, immediate painting that is supplemented by schematic perspectives. The lyrical compositions are sometimes intense and at the same time balanced in color. In many pictures he uses his own font, which looks like runes.
Goller’s images consist of nested levels of gestural and graphic elements. Access to his pictures is an “optical oscillation in the resonant frequency of the picture”. He works on individual pictures for up to a year, “allows the painting to congeal in time”, which does not contradict the intuitive gestures.
Since 2012, after a phase of personal upheaval, a completely new phase of the artist’s work has been in the making. The levels of perception no longer merge in a single image, but have taken on a threefold form. The temporal levels that are internal to us humans, the feeling for memory, the feeling for the future and in between the present as a snapshot of the ongoing time are now presented individually in a triad that the artist calls image-text-context.
In 2003 he co-founded the artists’ group Querschlag and, together with Peter Piek, the artists’ initiative Malfront (2003-2007). After solo and group exhibitions in Germany and Europe, he has already received initial recognition.
2000 “Modulations”, Museum “Old Vicarages”, Mittweida
2001 “EntrĂ©e”, Gallery Weise, Chemnitz with Michael Knauth
2002 “5×5 Young Art from Saxony”, New Saxon Gallery, Chemnitz (participation)
2002 “Large Art Exhibition”, Villa Kobe, Halle/Saale (participation)
2003 “Labyrations”, Gallery+Edition Erata, Leipzig
2005 “The Dark Room”, PPZK Leipzig with Peter Piek
2005 “Paintboxes”, Art for Chemnitz e.V. artist group Querschlag
2005 “Walk to the Malfront”, Voxxx Gallery, Chemnitz with Peter Piek
2006 “Pictures”, Kunstverein Heidenheim
2006 “Feasts”, Gallery Carstensen, Hamburg
2007 “Feast on Mars”, Gallery Weise, Chemnitz
2007 Galeria Szyb Wilson, Katowice/Poland artist group Querschlag
2008 GAM Gallery Obrist at the Museum, Essen
2008 Gallery Tazl, Weiz/Austria
2008 “Feast in the Museum”, art cabinet in the Bayreuth Art Museum
2008 “Prometheus and the Eagle”, Kunstverein Husum
2009 “Picture painted in July”, GAM Obrist Gingold Gallery, Essen
2009 “On the docking of the boat in the intermediate space”, Sybille NĂĽtt Gallery, Dresden
2010 “Apostrophe”, Gallery Weise, Chemnitz
2010 Ostrale’010 (participation)
2011 Ostrale’011 (participation)
2012 “Cyclopean Banquet”, Cathedral Gallery Merseburg
2012 Art space Gepard 14, Bern/Swizzerland
2014 “Nowhere is one”, Gallery Weise, Chemnitz
2015 “Light air, boundless”, art gluchowe art association Glauchau
2015 “Dragonfly Green”, AC Gallery Claus-Dieter Tholen, Herford
2015 “and beyond”, Gallery Sybille NĂĽtt, Dresden
2016 Ostrale’016 (participation)
2016 “MONOCHROME”, e.artis contemporary, Chemnitz
2017 Ostrale-Biennale O17 (participation)
Monochrome. With texts by Konstanze Wolter, Jutta Moster-Hoos and Ludwig Seyfarth. e.artis contemporary 2016, ISBN 3-923167-27-X
There is nowhere. With texts by Thomas Bauer-Friedrich, Diana Kopka and Peter Piek. PPZK Leipzig 2014
“[aquarius]”. Figure pictures, written experiment and a text. With an introduction by Peter Piek. PPZK Leipzig 2012
“Room with flowers”. New pictures and a text. PPZK Leipzig 2011
With Mike Wassermann: Concrete forgetting. poems and drawings. Leipziger Literaturverlag, Leipzig 2009, ISBN 978-3-86660-076-8
Rumpelstiltskin. With a text by Torsten Obrist. Saarland Artists’ House SaarbrĂĽcken 2008, ISBN 978-3-940517-07-4
banquets. With introductory texts by Dr. Ina Gille, Alexander Stoll and Klaus Sobolewski. Publisher The ThinkFactory Chemnitz 2007, ISBN 978-3-00-020701-3
With Mike Wassermann: Labyrinths. With an interview by Viktor Kalinke. Edition Erata, Leipzig 2003, ISBN 3-934015-52-2
Painting. With a foreword by Peter Piek. Passage Verlag, Leipzig 2005, ISBN 3-938543-03-5
With Peter Piek: The Puppeteers. Leipziger Literaturverlag 2011, ISBN 978-3-86660-112-3
With Peter Piek: The Coloring Book. Edition Erata, Leipzig 2005, ISBN 3-934015-89-1
Can you hear colors?, Peter Piek / Michael Goller, from 2004, published in 2005 in issue 14 of the Werkstatt Wort series of the Leipzig University of Applied Sciences (HGB)
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